Isaac Julien’s KAPITAL

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A screening of Isaac Julien’s installation KAPITAL followed by a discussion with Isaac Julien and Mark Nash (Royal College of Art), chaired by Jackie Stacey (University of Manchester) at the Whitworth Gallery, Manchester.

KAPITAL is a two-screen work centering around a conversation at the Hayward Gallery, London between Isaac Julien and renowned Marxist academic David Harvey (author of the book The Enigma of Capital). Julien opens the film by asking why capital is so difficult to depict, to which Harvey deftly replies: “in the same way you can only really intuit gravity exists by its effects, you can really only intuit that capital exists by its effects.” Staged as part of a seminar entitled Choreographing Capital organised by the artist at the Hayward Gallery in 2012, the event saw notable interventions from theorists, critics and curators such as the late Stuart Hall, Paul Gilroy, Irit Rogoff and Colin MacCabe. Julien has always made work in collaboration, conversation and exchange but this is the first time he has opened up the complex and rigorous research processes that lie behind his working methods.

Isaac Julien was born in 1960 in London, where he currently lives and works. Julien was nominated for the Turner Prize in 2001 for his films The Long Road to Mazatlán (1999), made in collaboration with Javier de Frutos and Vagabondia (2000), choreographed by Javier de Frutos. Earlier works include Frantz Fanon: Black Skin, White Mask (1996), Young Soul Rebels (1991) which was awarded the Semaine de la Critique Prize at the Cannes Film Festival the same year, and the acclaimed poetic documentary Looking for Langston (1989), which also won several international awards. Julien was visiting lecturer at Harvard University’s Schools of Afro-American and Visual Environmental Studies between 1998 and 2002. He was also a research fellow at Goldsmiths College, University of London (2000-2005), and is currently both faculty member at the Whitney Museum of American Arts and Professor of Media Art at Staatliche Hoscschule fur Gestaltung Karlsruhe, Germany. He was the recipient of the Performa Award (2008), the prestigious MIT Eugene McDermott Award in the Arts (2001) and the Frameline Lifetime Achievement Award (2002). His work Paradise Omeros was presented as part of Documenta XI in Kassel (2002). In 2003 he won the Grand Jury Prize at the Kunstfilm Biennale in Cologne for his single screen version of Baltimore; in 2008, he received a Special Teddy for his film that he collaborated on with Tilda Swinton, on Derek Jarman, called Derek, at the Berlin International Film Festival.

Mark Nash is an independent curator and writer, until recently Professor and Head of Department, Curating Contemporary Art at the Royal College of Art London. He collaborated with Okwui Enwezor on the Arena Programme for the 2015 Venice Biennale, The Short Century exhibition and Documenta11, both 2002 and Ute Meta Bauer on the 3rd Berlin Biennial 2004. He has written extensively on artists’ work with the moving image – both in his Experiments with Truth (Fabric Workshop and Museum, Philaelphia 2004-5 and his One Sixth of the Earth, ecologies of image at ZKM, Karlsruhe and MUSAC, León. This latter exhibition focused on the artistic legacy of the formerly socialist countries, previously explored in Reimagining October at Calvert 22 2009 (curated with Isaac Julien). Most recently, Mark Nash was also co-director with Isaac Julien of a series of live readings of Karl Marx’s Das Kapital as part of the 56th edition of La Bienniale di Venezia in 2015 and is currently curating Things Fall Apart, opening at Calvert 22 in February 2016. He is currently working on two exhibitions: Things Fall Apart for Calvert22, London and Iwalewa House, Bayreuth in 2016 and The Shadow Never Lies (with Joshua Jiang) for Minsheng2, Shanghai in 2016. He is currently a Visiting Professor at the Nanyang Technological University and Centre for Contemporary Art Singapore as well as a visiting lecturer on the Film Curating MA at Birkbeck University of London, and the Whitney Museum Independent Study Program.

7-9 pm, Thursday, 25th February 2016 

The Whitworth Gallery

Manchester

This event is free and no tickets are needed, but arrive early to avoid disappointment.

Presented by CIDRAL and The Whitworth Art Gallery

For further information: see:http://www.alc.manchester.ac.uk/cidral/events/

 


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